NEON Presents
April 9 & 10 — New York
Regional Screenings April 14 & 15
April 9
The Breuer Building – Sotheby's
945 Madison Ave, New York, NY 10021
A landmark Brutalist building designed by Marcel Breuer, the Breuer has successively housed the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Frick Collection, and now operates as Sotheby's headquarters — making it one of New York's most significant spaces at the intersection of art, architecture, and the art market.
The Art of Making The Christophers
A live conversation with the filmmakers and cast about the production of The Christophers — the ideas behind the film, how it was cast, how the actors approached their roles to authentically capture the artistic lives of their characters, and what the process revealed about the continuum between art and cinema. The discussion will also address the participants' own experiences navigating multihyphenate creative lives across film, painting (Soderbergh), theater (McKellen) and writing (Coel, Solomon).
Attendance
Space is extremely limited.
RSVPs are subject to approval. Please request your place below.
April 10
WSA
161 Water St, New York, NY 10038
An interdisciplinary cultural hub and gathering space for New York's downtown art community, known for convening artists, writers, and thinkers across disciplines.
Ian McKellen in Conversation with Jerry Saltz
Pulitzer Prize-winning New York Magazine art critic Jerry Saltz talks to Ian McKellen about art and cinema, the nature of late-career style, acting as a form of portraiture, and the provocative appeal of art-world reality shows.
Ed Solomon: Bringing the Art World to Life on Film
Screenwriter Ed Solomon in conversation about the personal origins story behind The Christophers, his process of researching and writing the movie, and how he was able to authentically translate the inner worlds and artistic processes of great painters to the silver screen.
Inside the Artist's Studio: The Real Dynamics of the Artist–Assistant Relationship
Behind every major artist is often a network of studio assistants — yet the mythology of the lone genius persists. This panel brings together leading contemporary artists to examine the complex realities of studio production: the blurred boundaries between authorship and collaboration, the emotional and economic dynamics of the studio, and the formative (and sometimes fraught) experience of working under a mentor.
Full Evening
RSVP for all three WSA sessions.
Seating is limited and available on a first-come, first-served basis. Please RSVP to reserve your place.
Regional Program
Each screening is followed by an artist talkback and Q&A. Full details and ticketing coming soon — check back for more information.
Austin
Alamo South Lamar
Tuesday, April 14
7:00 PM
Boston
Coolidge Corner Theatre
Tuesday, April 14
7:00 PM
Washington DC
AMC Georgetown
Tuesday, April 14
7:00 PM
Chicago
Alamo Wrigleyville
Wednesday, April 15
7:00 PM
San Francisco
The Commonwealth Club
Wednesday, April 15
6:30 PM
Seattle
SIFF Film Center
Wednesday, April 15
7:00 PM
About the Film
"A sharp and witty duet between two great actors. A thrilling look at the thorny truths of artistic integrity—and what it means to really create an original work of art."
— Max Gao, Elle
A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio — in a deceptive bid to secure an inheritance for themselves.
The Christophers is directed by Steven Soderbergh from a screenplay by Ed Solomon. A Department M production presented by NEON, the film is a provocative and intimate portrait of the art world — exploring the ethics of authorship, the nature of creativity, and the boundaries between genius and exploitation.